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Izotope ozone mastering4/30/2023 ![]() ![]() ModulesĪs I’ve reviewed Ozone 6 like a year ago, I’m not gonna get into details of what hasn’t changed. ![]() So, hey, if you are mastering in-the-box, you don’t need any other software for any reason. Just brilliant.Īnother brilliant idea is that in standalone mode, iZotope lets Ozone users use third-party plugins, both in VST and AU, and if that’s not enough for you to use it as a standalone, now, you can add multiple tracks at once. Let’s say you are mastering a song for YouTube or Spotify or whatever streaming service, and you can immediately hear it as it would sound after being converted to a more compressed format, so, that way, you can make some mastering decisions in order to make a better product with no need to go back and forth. The master and monitor section of the plugin has also some new features, like the fact you can preview ACC and MP3 compression at different bit rates, which I have to say is brilliant. Speaking of new, there are four new modules: the Vintage EQ, Vintage Compressor, and Vintage Limiter. ![]() ![]() On this version, there are ten different modules, the well-known EQ, the fantastic exciter (which I’ve used on every mastering job I’ve done for the last five or six years), the Dynamic EQ which debuted on version 6, the “imager”, which I love, the multiband Dynamics and the Maximizer, which has some new features. The interface looks very similar to the one on Ozone 6, very polished and pro. IZotope intros the Ozone 7 version of its very well-known mastering suite (and standalone app since Ozone 6), featuring some very nice improvements, new modules, and the addition of some clever functionality that will make from iZotope Ozone 7 plugin the only thing you will probably need for in-the-box audio mastering. ![]()
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